Selected Works
Air Action Vigorsol
Motion Design & 3D · 2025A set of twelve social videos, one per month, each built around a seasonal theme. The pack stays the hero throughout, moving through a loud, saturated world of 2D and 3D elements composited in 2.5D.
Caffè Cellini
Motion Design & 3D · 09 2025A DOOH domination across Italian railway stations, filling every maxi LED screen with the brand's product colours. One master film adapted to thirteen station formats, plus ten standalone product verticals.
Chroco for Jakala
Branding, Motion Design, 2D Animation · 2024/2025Branding and a set of 2D animated explainers for an HR management tool, built around Chroco, a talking crocodile with a sharp, ironic delivery. Plus an icon set and Lottie animations integrated into the product.
Carnevale di Viareggio
Motion Design · 01 2025A TVC built on archive footage from past editions, cut into a collage of 2D graphics and animation. Animated on twelves for a handmade, almost stop motion feel.
Eni Plenitude
Motion Design · 2024A logo animation used as the intro for the Art in Motion video series, a project where artists decorated Eni charging stations. Built entirely from the logo's own geometry.
CBRE Meravigli
3D Production · 2023Assets and a mockup video for the homepage of an exclusive luxury apartment sale in Milan. Geometric forms with a strong material focus, morphing as the user advances through the page.
Edenred
3D Production · 2022A set of four full 3D awareness videos for paid social, treating the meal voucher as an animated character. Each video assigns a superpower to a different product feature.
Mamachat
Motion Design · 2021A TVC for Mamachat, a non profit offering first support to women experiencing violence, aired on RAI for the International Day for the Elimination of Violence against Women. Built on the petal game of he loves me, he loves me not.
Eni Plenitude
The logotype is made of primary shapes, so the animation starts there: triangles, circles and bars drift into frame and settle into the letterforms, letting the construction of the mark become the reveal itself. The choreography stays minimal and deliberately unhurried, with staggered timing and small overshoots giving the shapes weight without adding decoration the logo does not need. A single curved stroke sweeps in at the end to close the sequence and hand off to the film. Kept short and repeatable, since it opens every video in the series.
- Animation built from logo geometry
- Shapes assembling into letterforms
- Minimal, staggered choreography
- Curved stroke as closing beat
- Reusable series intro