Selected Works
Air Action Vigorsol
Motion Design & 3D · 2025A set of twelve social videos, one per month, each built around a seasonal theme. The pack stays the hero throughout, moving through a loud, saturated world of 2D and 3D elements composited in 2.5D.
Caffè Cellini
Motion Design & 3D · 09 2025A DOOH domination across Italian railway stations, filling every maxi LED screen with the brand's product colours. One master film adapted to thirteen station formats, plus ten standalone product verticals.
Chroco for Jakala
Branding, Motion Design, 2D Animation · 2024/2025Branding and a set of 2D animated explainers for an HR management tool, built around Chroco, a talking crocodile with a sharp, ironic delivery. Plus an icon set and Lottie animations integrated into the product.
Carnevale di Viareggio
Motion Design · 01 2025A TVC built on archive footage from past editions, cut into a collage of 2D graphics and animation. Animated on twelves for a handmade, almost stop motion feel.
Eni Plenitude
Motion Design · 2024A logo animation used as the intro for the Art in Motion video series, a project where artists decorated Eni charging stations. Built entirely from the logo's own geometry.
CBRE Meravigli
3D Production · 2023Assets and a mockup video for the homepage of an exclusive luxury apartment sale in Milan. Geometric forms with a strong material focus, morphing as the user advances through the page.
Edenred
3D Production · 2022A set of four full 3D awareness videos for paid social, treating the meal voucher as an animated character. Each video assigns a superpower to a different product feature.
Mamachat
Motion Design · 2021A TVC for Mamachat, a non profit offering first support to women experiencing violence, aired on RAI for the International Day for the Elimination of Violence against Women. Built on the petal game of he loves me, he loves me not.
Caffè Cellini
The idea was to take over the stations through colour. We built the production halfway between 2D and 3D, keeping the language simple and minimal so each pack stayed the focus, while the master stayed dynamic and tightly cut to hold attention on screens people walk past. It was structured from the start to be reflowed into thirteen different formats, one for each station layout, without breaking the composition. Alongside it we produced ten separate vertical videos, one per product, each built around its own colour, so that running together across a station they turned the space into a block of brand colour.
- Master adapted to thirteen formats
- Ten standalone product verticals
- Colour coded by product
- 2D and 3D hybrid look
- Minimal staging, dynamic pacing