Selected Works
Air Action Vigorsol
Motion Design & 3D · 2025A set of twelve social videos, one per month, each built around a seasonal theme. The pack stays the hero throughout, moving through a loud, saturated world of 2D and 3D elements composited in 2.5D.
Caffè Cellini
Motion Design & 3D · 09 2025A DOOH domination across Italian railway stations, filling every maxi LED screen with the brand's product colours. One master film adapted to thirteen station formats, plus ten standalone product verticals.
Chroco for Jakala
Branding, Motion Design, 2D Animation · 2024/2025Branding and a set of 2D animated explainers for an HR management tool, built around Chroco, a talking crocodile with a sharp, ironic delivery. Plus an icon set and Lottie animations integrated into the product.
Carnevale di Viareggio
Motion Design · 01 2025A TVC built on archive footage from past editions, cut into a collage of 2D graphics and animation. Animated on twelves for a handmade, almost stop motion feel.
Eni Plenitude
Motion Design · 2024A logo animation used as the intro for the Art in Motion video series, a project where artists decorated Eni charging stations. Built entirely from the logo's own geometry.
CBRE Meravigli
3D Production · 2023Assets and a mockup video for the homepage of an exclusive luxury apartment sale in Milan. Geometric forms with a strong material focus, morphing as the user advances through the page.
Edenred
3D Production · 2022A set of four full 3D awareness videos for paid social, treating the meal voucher as an animated character. Each video assigns a superpower to a different product feature.
Mamachat
Motion Design · 2021A TVC for Mamachat, a non profit offering first support to women experiencing violence, aired on RAI for the International Day for the Elimination of Violence against Women. Built on the petal game of he loves me, he loves me not.
Mamachat
The film reworks the childhood flower game into the language of a relationship that has turned harmful, with the phrases drawn from real accounts and testimonies. A single continuous white line runs through the whole piece, tracing figures, following the handwritten words and carrying the thread of the story from one scene to the next, while falling petals drive the camera moves and stitch the sequences together. We animated on twelves so the movement holds a slight tension rather than flowing smoothly, keeping the tone closer to something drawn by hand than something produced. The palette stays in a single pink, letting the writing carry the weight before the statistic and the call to action land.
- Continuous line as narrative thread
- Petals driving camera movement
- Handwritten typography as voice
- Animated on twelves for tension
- Broadcast TVC for RAI